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09.04.12
Five hearts from Politiken

Politiken Den autentiske virksomhed anmeldelse

"Inspiring and sympathetic management book with analysis and cases of international quality and scope." This is how the danish newspaper Politiken starts its review of Nikolaj Stagis' book The Authentic Company. Politiken uses hearts as a rating system, and the book recieves five out of six hearts from the reviewer, Kresten Schultz Jørgensen.

Here is a short extract of the review in Danish:

”Inspirerende og sympatisk lærebog, hvis analyse og cases har internationalt vingefang. Man fatter jo ladestokken og strammer kuglen helt nede i løbet ved mødet med endnu en bog om ”autentisk” kommunikation. Som Henrik Marstal så rigtigt analyserede begrebet i Politikens kronik 17.2 er ”autenticitet” pr. definition en relativ størrelse, en kamelæon, der kan bruges til at betegne næsten hvad som helst afhængigt af sammenhæng. Så hvad i alverden, kan man spørge, vil en tænksom kommunikationsmand som Nikolaj Stagis med en bog udgivelse om den autentiske virksomhed? Grave et spadestik dybere med en øvelse, der faktisk lykkes med en gennemarbejdet og klog bog om et begreb, man sagtens kan grine af, men som ikke rigtig kan undværes (…)
Bogens kommunikationsprojekt er en linedans: Forfatteren redegør for, at vi lever i postmoderne tider, hvor beskueren insisterer på at have ret, og hvor spin og overflade dominerer. Svaret er ifølge Stagis, at virksomhederne – hvis de har noget at byde på – i stigende grad søger indad efter identitet og de vandbærende lag. Dér ligger, i en verden af mediestøj og markedsanalyser, muligheden for at fremstå autentisk”.

25.03.12
DDA Bar: How do authentic design companies compete?



On April 18th Stagis is hosting DDA Bar in cooperation with Danish Design Association (DDA) in Stagis’ office in Kompagnistræde, Copenhagen. The event is themed around architecture and design, and the speakers professor Kristian Kreiner, Copenhagen Busines School and Nikolaj Stagis, CEO Stagis will each provide insights on the idea of authenticity as a way of developing the design agency and it's ability to compete - even under a strict set of rules.

Professor Kristian Kreiner is on the verge of publishing his book “Dialog og konkurrence” (Dialogue and competition) on architectual competitions. At the event, he will discuss the need for designers with an approach based on autheticity in today’s design competitions. His argument is, that is has become more and more common that competitions today are so organized, that the creative aspect of design is suffering.

The event will be concluded with networking and refreshments from Bøgedal Bryghus (Boegedal Brewery). Sign up for the event on DDA’s website.

28.03.11
Berlingske Fri: Kend dig selv og bliv mere autentisk

Berlingske article

"Know yourself and become authentic," writes Danish daily Berlingske in an article regarding the search for authenticity which has become more apparent over the past year or two. I will be giving a talk at 'Vanebryderdagen' ('Habit Breaker Day') in Copenhagen on May 3rd at the Bremen theater. The theme of this years Vanebryderdag is authenticity.

"Autenticitet af en af tidens store trends. Vi skal være autentiske og ikke give os ud for at være andet eller mere end det, vi er, men have modet til at være os selv.

Ifølge adm. direktør Nikolaj Stagis, der om kort tid udkommer med en bog om autenticitet på Gyldendal og også står bag en masterafhandling om samme tema på CBS, skriger tiden på ægthed, autenticitet og en tro på, at »what you see, is what you get.«," writes journalist Anne Funch.

Danish readers can enjoy the article on the Berlingske website.

14.09.10
Stagis part of Kom-dag 2010 on Authenticity

I'm thrilled to tell you, that I'm participating as speaker at Kom-dag 2010 (Communication Day 2010) on November 23rd which is being organized by Danish Communication Association. The theme of the year is authentic and reliable (trustworthy to be exact) corporate communication. At the end of the event the Danish communication prize 2010 will be awarded to the best communication effort of the past year.

The lineup of speakers are:
Peggy Simcic Brønn, professor, BI Norwegian School of Management
Antoine Harrary, StrategyOne, Edelman Europe (they are the ones who release the Trust Barometer every year)
Peter Straarup, Danske Bank
Henrik Dahl, Sociologist and writer
Dorte Spiegelhauer, DR (Danish Broadcast)
Nikolaj Stagis (that's me!), Stagis A/S
Charlotte Mandrup, management advisor and writer, Møller & Mandrup

And it seems there's going to be a series of interactive activities and a board of professors discussing the theme. Exciting day!

Read more about the Kom-dag 2010.

03.04.10
The Authentic Company and the product brands - lecture in Sydney

About two weeks ago, I gave a lecture on Authentic Organizational Identity at University of Technology in Sydney as I was invited to join a series of lectures called Future Design Strategies. Martin Kornberger (who's just published a wonderful book on branding called "brand society" - I haven't finished reading it, but do check it out, he's a very smart guy...) suggested my giving a lecture 'down under' and it was great fun!
Graduate students across the fields of visual communication, fashion, product design and architecture showed up, appearing to have very high expectations (I was surprised by three students asking before the lecture if they were allowed to record the lecture - I don't recall that happening in Copenhagen...?) and the concept is great. Basically this series of lectures is asking what kind of strategies or processes will help us create better design in the future? As my theory on organizational authenticity is basically a process towards understanding an organizational identity before doing strategic design work I went ahead, curious wether the 'aussies' would enjoy my ideas - and even more curious about the mix of students. After all, there's a big difference between designing logos, skirts, skyscrapers and chairs. But they seemed to enjoy themselves and they were eager to participate. We were discussing Absolut and wether they should make their heritage more visible to the public (most of us still haven't noticed the historic print on the front of the bottle) and how you explain this stuff to a CEO - not an easy job, one participant assumed.
Among the group were a couple of professors and a marketing manager from Sara Lee. You might not know Sara Lee - it's one of those corporations that own and trade a large portfolio of product brands. Just like Procter & Gamble or Unilever. And that was his concern exactly. How do you start utilizing the authenticity of the company when in fact most of your time is spend dividing the marketing efforts between different product brands that seem to have nothing to do with the corporate brand? No easy task at all. As I am writing in the first part of my book (I'm writing chapter 12 now - it will soon be done. Promise!) I think there's a movement in the world of branding towards more corporate brands that create value to their fans (both customers and employees and other stakeholders) by expressing the same ideas, values and beliefs through their products. It is becoming more and more difficult to divide different parts of the brand and the idea of the brand as a virtual construct carried by advertising and digital imaginary universes is not only becoming difficult, it is also lacking the authenticity that people value and ask for. Never the less, my new friend from Sara Lee is doing his best in one of these product-brand-dividing companies and his concern is real. What do you do? Is organizational authenticity relevant?
First of all, the leadership, organizing, marketing, sales work and everything else going on in the corporation involves managers and employees who have to find motivation, common ideas about what it is they are doing and pride in their work. I'm sure all these people want to work for a company that is sure of it's identity and tries to become the best it can be. After all, authentic organizational identities are better at focusing their efforts, have lower transaction costs, better coordination and higher motivation. Being sure what Sara Lee as a company is all about is a good start. Even if we imagine that only employees and retailers knows the corporate brand.
Secondly, lots and lots of the product brands that are marketed by corporations like Sara Lee come from somewhere, were started by someone, they carry ideas for change, values and meaningful messages that can be rediscovered and utilized. There is plenty of inspiration for development of both the specific products and the organization behind them to be discovered in these products.
One of the reasons I love to get out there (not only out to Australia, but out and about in general) is the questions I get. There is always some angle, some idea or someone's everyday concerns that I haven't thought of. And these meetings keep me on the toes. Looking forward to more challenges out there!