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28.02.10
Risky management: Seeing something new about your company - lecture at CBS

"Actually, I saw something new about my organization, that I didn't see before," said one of the participants at the end of a lecture I did at Copenhagen Business School a few days ago. She was a senior manager in a large organization and I was asking wether the model we had worked with during the afternoon was of any use to the participants. She had seen something new. To me that's a big thing and about as good as it gets. Most managers don't see anything new most days, as they are primarily focused on communicating how they have been seeing things for a long time, and a lot of them are not keen on admitting it when they do see things in a new light. After all, managers are supposed to see it all clearly from the start, long before everyone else, right?
Seeing new things about your organization and discussing your findings is a really good starting point for keeping what's precious or changing the things that call for change. But too often we don't take the time to ask and listen, rather than talking. So when a tool for looking at the organizational identity helps a top-manager see new aspects of the organization, it's a good thing. It's the foundation for strategic choice; What are you going to allocate more resources and what are you going to limit?
I was lecturing at Master of Management Development, a focused executive MBA-program for senior managers at Copenhagen Business School. MMD is a special place for seeing new things. One of the primary skills that the program develops in the participants is challenging the way things are perceived. There's never one true meaning of things, there are as many as there are people and relations between them. So in a sense it's a great place to present your work, because people want to use the tools at hand to shed new light on their ideas of the company, structures, organization, management, systems and so on.   
Professor Majken Schultz had invited me to join the program for the day (just like we did with the last class, two years ago), to talk about authentic organizational identity, the concept I developed while writing my thesis from the exact same program in 2006. The model and the methodology that I've developed in a conceptual framework helps people see the identity of the company in new ways. After presenting my ideas on organizational authenticity we split up into 9 groups and each group worked on one of the specific questions that I've developed to discover the authenticity of the company on three dimensions: 
  • Heritage Authenticity
  • Reflexive Authenticity
  • Expressive Authenticity
When we started working on the model itself, I suggested scoring the authentic identity of the MMD program itself. Does the program use it's history? Does it have beliefs of it's own? Does it express it's authentic identity? Everyone was really getting into the exercise, wanting to discuss how several different organizations performed on the three dimensions of authenticity. I was running from one end of the blackboard to the other, sketching up the profiles of the examples brought up. After a few examples one participant brought the process to a halt. "I might see it as very authentic, but my customer would probably see it differently..." he said. And that's one of the things that make the perception of image, identity and the authenticity of an organization so interesting. The truth (if there is such a thing) really depends on the person or the group you ask. The management group, the employees, the customers and the media might see the authenticity of the company in very different perspectives and rate the degree of authenticity of the company accordingly. But when you do ask them, you're bound to see something new about your company - and you can never go back to 'unsee' it again.

19.02.10
Making bananas cool

So this is what happens when an authentic brand integrate their product label into contemporary ad campaigns...

Chiq

Chiquita made this move with their iconic blue sticker featuring a fruit-carrying woman, which has been placed on every single product since 1963. In a collaboration with designer DJ neff, Chiquita created 25 different characters which instantly became a hit amongst end users. The ad campaign grew into an online 3D flash game, a micro site containing viral videos and a sticker generator. 

Check out more on design:related.

15.02.10
Going undercover

The Danish Broadcasting Corporation has launched a highly interesting new weekly documentary programme called “Undercover Chef” (meaning Undercover Boss in English). The show lets CEOs experience their own organization from a new point of view – that of their employees and costumers. The CEO plays the role of a new employee under a false name as his employees patiently introduce him to the work routines and daily life in his own organization.

Last week, the CEO of Danske Diakonhjem, which is an organization managing a chain of nursing homes, worked a few days as a health care worker. As the visibly emotional CEO was placed completely powerless in the stand-up lift that constitutes an indispensable part of many of the residents’ daily routines, it was clear that more was at stake than simple role play. This was a CEO achieving a deeper understanding of the emotional and social dynamics in the organization he manages, and he left the experience wiser and more aware of what matters most to his employees and costumers. 

The show airs tuesday nights on DR1 and is available for streaming here (in Denmark only)

05.02.10
Stagis Highlights: Bi-monthly newsletter to clients, colleagues and friends

Highlights_370_NEW
  
What are the latest highlights? With a growing network of clients, colleagues, business-partners, students and friends it can be difficult to keep up with what's going on. Today we're sending out the first issue of a newsletter that we've named "Stagis Highlights". About six times a year we'll send out an email with stories about our projects, concepts, ideas, people, events and everything in between. I'll post some of the latest stories about authentic corporate identities around the Globe such as Hästens, Noma, Lego, BMW, Alessi and Ducati and we'll share new projects with you.

We'll make a version in Danish and one in English. If you are on the mailinglist you'll be able of sharing the content with your colleagues, friends or - even better - your boss.

Sign up for Stagis Highlights in Danish here:



Or submit to the Highlights in English:



05.02.10
17 fascinating minutes at the BMW Museum

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"Fascinating!" I thought to myself the other day, as I looked at an art installation. Over the past two months, I've been studying BMW in Munich as part of my ongoing work on a book on authentic organizational identity, which I am planning to finish this spring. The time had come to visit one of the greatest brand museums ever. Back in 2004 the BMW Group decided to spend some 80 million Euro on the renovation and expansion of their corporate museum, initially built in the 1970's. Located in front of the tall BMW headquarters and across the street from the architecturally fascinating BMW World, the Museum looks like a giant tea-cup and would serve well as an iconic entrance to a museum of modern art in any metropolis. Here, however, it's not paintings that are on show, but cars and motorcycles. At least, that was my expectation.

Authentic BMW
The architecture of the Museum itself is a piece of art. The building is listed, protected by the German Government. I soon found myself happily surprised at the first installation. What seemed like a thousand silver pearls were floating in the air, changing from arbitrary swarm to orderly sculptures depicting the forms of old and new cars. When the BMW started the revamp of the Museum, they hired Joachim Sauter, a specialist in new and innovative media. "He told us 'Be authentic!'," says Dr. Andreas Braun, who is in charge of the communication of the 5.000 m2 museum and was deeply involved in the development of the museum throughout the 2000s. 

04.02.10
Entering the authentic organizational identity as 'translator'

Skærmbillede 2010-02-04 kl. 17.11.24

Last year the Corporate Governance Agency of the Danish Ministry of Culture changed it's purpose and name. From being an "Administration Center" it was now going to leave behind some of the daily routine operations within IT and finance and focus on delivering advice and support the cultural institutions in Denmark.

”I would like to be able to see myself in my work and everything my workplace stands for. That’s what motivates me when I go to work. That you belong and know that the rest of the world sees your workplace the way you see it yourself,” says Pinar Tilif. She is one of the employees at the Governance Agency, who has experienced the shift from one organizational identity to a new one. A process that included the discovery of the organization's authentic strengths and finding new ways of growing those particular abilities. Now, the primary role of the organization is to be the 'translator' between the Danish Ministry of Culture and each cultural institution.

Pinar Tilif tells about her experiences through the identity process in the article "My personality comes along when I visit the customers". Read the full article in English or hele artiklen på dansk (PDF). 

The visual identity will go public on the agency's website during February 2010. The mapping of the authentic organizational identity as well as the development of the identity essence and the visual identity was conducted by Stagis.

03.02.10
Politiken article: From idea to final concept

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This Sunday, Danish newspaper Politiken featured an interview with Nikolaj Stagis. In the article, Nikolaj tells the story of our company and talks about the Busdrivers with Character campaign mentioned in the post below. Nikolaj explains how the idea of transforming the experience of the bus ride for both drivers and passengers emerged in his head while watching the news one night, and how the idea developed into the final concept that you meet in busses today.

 

You can read the article here: Jagten på firmaets autentiske identitet (in Danish only - "The hunt for the authentic identity of the firm")