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03.11.11
På udkig efter efterskolens autentiske styrker




I går holdt jeg foredrag for 100 oplagte og glade efterskoleledere på Efterskolernes årlige lederkonference i DGI Byen. Før jeg kom på podiet var der præsentation af samtlige fremmødte og fællessang. Ikke noget med at sidde og pippe ned i sangbogen - der blev sunget igennem! Min kollega Louise og jeg diskuterede, om ikke vi skulle indføre fællessang på kontoret - der var høj energi og masser af fællesskab i det. Mit foredrag handlede om autentisk identitet og så forsøgte jeg at udfordre  efterskolelederne i forhold til efterskolernes identitet. Er hver efterskole god nok til at finde sine særlige styrker og dyrke både ledelse, aktiviteter, organisering og kommunikation ud fra netop "min" efterskoles styrker? Vi havde en rigtig god debat med gode spørgsmål, gode kommentarer og reflektioner. Heine Boe fra Efterskolen for Scenekunst (tidligere Femmøller Efterskole, som Stagis har udviklet identitet for) sagde, at det var overraskende, at "sådan en reklamemand (jeg kunne ikke dy mig for at gøre indsigelser mod dén titel) kom og skulle tale om kommunikation, men så talte om alt det, der ligger før kommunikationen - nemlig hvem man er". Rigtig god pointe, for det er afklaringen af identitet, der er grundlaget for god kommunikation.

Efterskolen

I forbindelse med lederkonferencen har jeg skrevet en artikel, som berører nogen af de emner, jeg fortalte om, og som vi diskuterede efterfølgende. Jeg kaldte den "På udkig efter efterskolens autentiske styrker" og den kan downloades på stagis.dk. Den kan også ses i færdig form på Efterskolebladets hjemmeside.

Tilbage i 2006 - 2008 bloggede vi en del om uddannelse, efterskoler og skolevalg - indlæggene kan findes her på bloggen ved at trykke på "Categories" og vælge dette emne.

11.07.11
La Dolce Vita - summer greetings and office closing



We are closing the office for two weeks, from July 16th through July 31st as we leave to spend time in the sun rather than in the hot office in Kompagnistraede, Copenhagen. We will be back, ready to take on new projects and finalize ongoing work from August 1st.

I have been spending most of my time in June and July in Rome, Italy, working on my book projects. The manuscript for the Danish book titled "Den autentiske virksomhed" was finalized in June after massive editing from a total of 365 pages to 303. While the Danish editor at Gyldendal is reviewing it I will be starting up the other half of the project which is to edit and change various parts in order for the book to be published in an international version. Also, I've been spending time in Italy working with some Italian case studies. On Friday, I'm interviewing one of the masterminds behind the city planning in Rome through the past 20 years, Eugenio La Rocca, Superintendent of Cultural Heritage of the City of Rome during the 90s and 2000s. We will be discussing the paradoxes between massive cultural heritage and the need to change and develop a city. Two important factors that do not always work out nicely - just like in all other aspects of understanding, preserving and changing organizational identity in organizations, large and small.

When I return from Italy and my colleagues return to the office in Copenhagen August 1st, we will also be welcoming a few new members to the Stagis team. During May and June we have been busy recruiting new skilled people and four new faces will show up at Stagis during August and September. I look forward to that and I know everyone else does too!

It is about 35 degrees celcius in Rome today - a bit too much to be in front of the screen if you ask me - I hope you will enjoy the summer as much as I do! Enjoy La Dolce Vita!

10.06.11
New Book Edition Inspired by Development and Heritage in Rome

I have just begun a two month visit to Accademia di Danimarca in Rome, where I'll be starting a new process of the international edition of "The Authentic Company". During the next week I will be finishing the Danish edition of the book "The Authentic Company". It examines what the three dimensions of authenticity is, how they can be mapped and illustrates through examples how leaders can handle authentic organizational identity. An impressive line of leaders, founders and owners have agreed to enter a discussion of their management practice and the authenticity of their organizations. The Authentic Company offers case studies from Ducati, Alessi, Ferragamo, Hästens, LEGO, BMW, Novozymes and the World's no. 1 restaurant, Noma. The Danish book should be out on Gyldendal this fall... Finally!

In Rome I will be starting the process of an international edition of the book. I will be collaborating with several Italian institutions and organizations as well as discussing a possible Italian publication. Italy is a leading nation in terms of celebrating and utilizing the heritage of organizations, it being commercial companies, industries, cities or regions. More than 50 Italian companies celebrate their cultural history in large high-end corporate museums. The museums are organized in l'Associazione Museimpresa, which is unique in the World. One of the fundamental paradoxes I discuss is, how heritage can be a driver of identity as well as a limitation for development and innovation. A question that leaders across industries and organizations struggle with, it being Alessi, Ducati or the city of Rome.

One of the debates of recent development of Rome is that it takes ages to build the Metro because of the massive presence of ancient history under every street and piazza. Every time they start to dig tunnels, new archeologic treasures pop up. The development of Metro A opened in the 1980s and it took 20 years to build, delayed by archeology. How do you lead and develop a city which is constantly on the verge of becoming a museum of ancient history rather than a place of contemporary life and ongoing development? ABC News reported on the story a couple of years ago.

13.04.11
The Authentic Company - still in a state of becoming



For the past three years I've been working on 'Den autentiske virksomhed' (or, The Authentic Company, as it may be in English). Now I'm finally coming to an end. There is a full 360-page manuscript which I'm now editing to about 300 pages. I'm planning to deliver the final document to the publishing house Gyldendal Business sometime in May and hopefully see a real book looking a bit like the picture above during the summer. Besides my theory on business strategy development based on the authentic strengths of the organization, there is a string of case studies in the book. Some of them are Noma, LEGO, Ducati, Alessi, Hästens, Novozymes, BMW and Absolut. I've been really lucky to visit them and talk to their CEOs, owners and leaders.

During the fall I'll tour Denmark to talk about The Authentic Company and discuss how companies of all sorts can explore and develop their strengths from within. Some of the talks are already being arranged as I receive calls almost every week from people who want to discuss authenticity and what it means. Here are some of the talks that I'm doing soon:

14. April 2011, Hewlett-Packard Denmark (workshop)
3. May 2011, Vanebryderdagen 2011, 'Bremen' in Copenhagen (conference)
5. May 2011, Dansk Industri (talk)
11. May 2011, Dansk Kommunikationsforening (Day seminar)
13. May 2011, Medieforbundet i DR (workshop)
23. May 2011, Danske Fysioterapeuter (talk)
23. August 2011, FTF (workshop)
10. October 2011, Master of Management Development, CBS (education)
1. November 2011, Efterskoleforeningens lederkonference (talk)

During May we'll put more video clips from some of my talks on the website and once we get closer to the release date of the Danish book we'll start publishing parts of the content here on the blog, on Facebook and elsewhere. We'll make sure you get notice!

If you want to know more or want to book me for a talk, take a look at stagis.dk (Danish) or stagis.com (English). Lots of students want to know more - don't hesitate to write!

28.03.11
Berlingske Fri: Kend dig selv og bliv mere autentisk

Berlingske article

"Know yourself and become authentic," writes Danish daily Berlingske in an article regarding the search for authenticity which has become more apparent over the past year or two. I will be giving a talk at 'Vanebryderdagen' ('Habit Breaker Day') in Copenhagen on May 3rd at the Bremen theater. The theme of this years Vanebryderdag is authenticity.

"Autenticitet af en af tidens store trends. Vi skal være autentiske og ikke give os ud for at være andet eller mere end det, vi er, men have modet til at være os selv.

Ifølge adm. direktør Nikolaj Stagis, der om kort tid udkommer med en bog om autenticitet på Gyldendal og også står bag en masterafhandling om samme tema på CBS, skriger tiden på ægthed, autenticitet og en tro på, at »what you see, is what you get.«," writes journalist Anne Funch.

Danish readers can enjoy the article on the Berlingske website.

21.10.10
NOMA - Time and Place in Nordic Cuisine (book release)

Last month, Rene Redzepi, the celebrated No. 1 chef of restaurant NOMA, was introducing his new book at the Sydney Opera House. I just received the book by mail this morning. It's beautiful and well worth reading. Inspiring story (and diary) and inspiring photos. Out on Politikens Forlag in Denmark and Phaidon elsewhere.



03.10.10
Authentic Patterns



We have been working on the book cover for 'The Authentic Company', coming out in 2011 in Danish and in 2012 internationally. Here is a shot from Annes screen I took the other day. The hardcover has a black and white pattern illustrating boxes. At the center of the front page you'll see boxes within boxes - because there are layers underneath the surface of the company that you have to explore in order to find the authenticity of the company. I've just finished chapter 14 which means I'm working on the last four chapters of the manuscript while the editor at Gyldendal is outlining words with red marker in the first 13 chapters...

If you like patterns, check out the Patternity blog "seeing pattern everywhere" on www.patternity.co.uk

02.07.10
August Event on Authentic Identity with Noma Case Study

Peter Kreiner from Noma
On August 26 we are hosting an event for the members of Danish Design Association, primarily professional design agencies. I will give a talk on organizational authenticity and Peter Kreiner, CEO of Noma restaurant, will join us and give a brief talk on the success of Noma from a business perspective. Noma recently became the no. 1 restaurant in the World (see my blog-post) and the restaurant headed by chef René Redzepi is a case-study in my book "The Authentic Company" which I'll be spending most of the summer finishing in order to get it to the publisher very soon. I am looking forward to seeing a lot of design-people, clients, friends and others who are interested in knowing a bit more about our work on organizational authenticity and what I am writing on the Noma case-study.
The two talks will be in Danish. The program follows in Danish along with details on signing up for the event:

DDA BAR 21

26. august kl. 16.30
Sted: Stagis A/S, Kompagnistræde 14, 1. sal, 1208 København K.

Autentisk identitet er vejen til succes
Stagis har udviklet en metode til at undersøge en virksomheds autentiske identitet. Processen involverer antropologiske metoder og kortlægger autenticiteten på tre dimensioner. Nu bruger Stagis sine værktøjer til at udvikle strategi og identitet for kunderne. Nikolaj Stagis er ved at færdiggøre en ledelsesbog med titlen "Den autentiske virksomhed", som bruger LEGO, Noma, Absolut, Alessi og Ducati som eksempler. Nikolaj fortæller om arbejdet med autentisk identitet og hvilken effekt det har på de organisationer, der bruger metoden.

Noma er brudt igennem som verdens restaurant nr. 1. Med dybe rødder i det nordiske køkken og en kreativ ildsjæl i spidsen, har restauranten skabt en autentisk identitet, som er blevet en verdenskendt succes. Direktør Peter Kreiner er gæst og fortæller om strategien og giver sit bud på, hvordan det kunne lykkes for en dansk kreativ restaurant at bryde igennem.

Program:
16.30: Drinks og besøg i Stagis Museum
17.00: Den autentiske virksomhed, Adm. direktør Nikolaj Stagis
17.45: Nomas gennembrud, Adm. direktør Peter Kreiner, Noma
18.15: Drinks, nordiske snacks og netværk

If you want to join the event, please write an email containing your name and company to event@stagis.dk.

Members of Danish Design Association are invited to sign up for the event through the DDA website. Our customers, partners and freelancers are invited to join on a first-come, first-serve basis. The members of DDA will have priority access. 

28.02.10
Risky management: Seeing something new about your company - lecture at CBS

"Actually, I saw something new about my organization, that I didn't see before," said one of the participants at the end of a lecture I did at Copenhagen Business School a few days ago. She was a senior manager in a large organization and I was asking wether the model we had worked with during the afternoon was of any use to the participants. She had seen something new. To me that's a big thing and about as good as it gets. Most managers don't see anything new most days, as they are primarily focused on communicating how they have been seeing things for a long time, and a lot of them are not keen on admitting it when they do see things in a new light. After all, managers are supposed to see it all clearly from the start, long before everyone else, right?
Seeing new things about your organization and discussing your findings is a really good starting point for keeping what's precious or changing the things that call for change. But too often we don't take the time to ask and listen, rather than talking. So when a tool for looking at the organizational identity helps a top-manager see new aspects of the organization, it's a good thing. It's the foundation for strategic choice; What are you going to allocate more resources and what are you going to limit?
I was lecturing at Master of Management Development, a focused executive MBA-program for senior managers at Copenhagen Business School. MMD is a special place for seeing new things. One of the primary skills that the program develops in the participants is challenging the way things are perceived. There's never one true meaning of things, there are as many as there are people and relations between them. So in a sense it's a great place to present your work, because people want to use the tools at hand to shed new light on their ideas of the company, structures, organization, management, systems and so on.   
Professor Majken Schultz had invited me to join the program for the day (just like we did with the last class, two years ago), to talk about authentic organizational identity, the concept I developed while writing my thesis from the exact same program in 2006. The model and the methodology that I've developed in a conceptual framework helps people see the identity of the company in new ways. After presenting my ideas on organizational authenticity we split up into 9 groups and each group worked on one of the specific questions that I've developed to discover the authenticity of the company on three dimensions: 
  • Heritage Authenticity
  • Reflexive Authenticity
  • Expressive Authenticity
When we started working on the model itself, I suggested scoring the authentic identity of the MMD program itself. Does the program use it's history? Does it have beliefs of it's own? Does it express it's authentic identity? Everyone was really getting into the exercise, wanting to discuss how several different organizations performed on the three dimensions of authenticity. I was running from one end of the blackboard to the other, sketching up the profiles of the examples brought up. After a few examples one participant brought the process to a halt. "I might see it as very authentic, but my customer would probably see it differently..." he said. And that's one of the things that make the perception of image, identity and the authenticity of an organization so interesting. The truth (if there is such a thing) really depends on the person or the group you ask. The management group, the employees, the customers and the media might see the authenticity of the company in very different perspectives and rate the degree of authenticity of the company accordingly. But when you do ask them, you're bound to see something new about your company - and you can never go back to 'unsee' it again.

05.02.10
17 fascinating minutes at the BMW Museum

00632008_m

"Fascinating!" I thought to myself the other day, as I looked at an art installation. Over the past two months, I've been studying BMW in Munich as part of my ongoing work on a book on authentic organizational identity, which I am planning to finish this spring. The time had come to visit one of the greatest brand museums ever. Back in 2004 the BMW Group decided to spend some 80 million Euro on the renovation and expansion of their corporate museum, initially built in the 1970's. Located in front of the tall BMW headquarters and across the street from the architecturally fascinating BMW World, the Museum looks like a giant tea-cup and would serve well as an iconic entrance to a museum of modern art in any metropolis. Here, however, it's not paintings that are on show, but cars and motorcycles. At least, that was my expectation.

Authentic BMW
The architecture of the Museum itself is a piece of art. The building is listed, protected by the German Government. I soon found myself happily surprised at the first installation. What seemed like a thousand silver pearls were floating in the air, changing from arbitrary swarm to orderly sculptures depicting the forms of old and new cars. When the BMW started the revamp of the Museum, they hired Joachim Sauter, a specialist in new and innovative media. "He told us 'Be authentic!'," says Dr. Andreas Braun, who is in charge of the communication of the 5.000 m2 museum and was deeply involved in the development of the museum throughout the 2000s. 

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